"Kozmo"
Watching "The Cape," I'm having a hard time figuring out just how much time has passed since Vince's apparent death and what's unfolding on screen right now. How long did he train with the Cape before assuming his role as a vigilante? A few days? A few weeks? A few months?
At times, it feels like it would have to be a few weeks or months, given the development of certain storylines. The most glaring is his wife working in the D.A.'s office and her interaction with her new boss. Maybe it's just me but it felt a bit like there was some flirting going on and her statements that she'd like a male role model in her son's life felt like it'd been a while since Vince vanished from the picture. Of course, that doesn't take into account the best friend, Marty, who is secretly on Chess' payroll. We saw him over at Dana's last week and he mentioned getting together later. Maybe he'd be a good role model--well, as far as Dana knows right now. She has no idea he's Chess's right hand henchman and covering up that Vince wasn't Chess and that Chess isn't really dead.
I also have a hard time buying why they'd make the son change schools. But it's there so Vince can overhear something and then go to his son and give him a pep talk about fighting. Of course, he's probably not doing the kid any favors by only appearing as this shadowy comic book figure who appears to dole out advice and wisdom whenever needed. If he'd revealed himself to Dana, it might help the kid out a bit. For now, he just sounds crazy mentioning his new buddy the comic book hero.
It feels like this episode was pulled from later in the rotation, to be quite honest. Vince seems to be settling into his role as the Cape and learning various tricks to use in his battle against evil. That's all rocked a bit when the guy who used to wear the Cape shows up, having been in prison for a while and wants the Cape back. And he's willing to kill for it. And he knows more about it than Vince does.
As I said last week, there are some good pieces here, but the story never pauses long enough on any of them to allow the implications to sink in--either to the audience or the characters. And as I said then, I may be overthinking it. Probably am, since it seems this is intended to be a comic book for TV--and it's rare that comics in the Silver Age stopped to dwell on the implications of thngs. They just moved from one plot point to the next.
And yet, the show also seems to want me to wonder about things...the biggest being the true identity and nature of Orwell. What led her to this point? And what is her background? Also, I have to wonder if she'll now become part of the Max's gang of circus heroes or if this is just a one-time development.
Also, for a guy trying to keep his identity a secret, there sure are a lot of people who know who Vince is.
Labels: the cape, tv shows
posted by Michael Hickerson at 1/20/2011 12:08:00 PM |
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"Pilot," "Tarot"
In its attempt to find the next version of Heroes, NBC gives us The Cape. I tuned in for the two-hour premiere Sunday evening and have to admit that I like the idea behind the series even if I find the execution a bit lacking.
I think a lot of the what I found lacking is the overall pacing of the show. The pilot story felt a bit too rushed, compressing the entire origin story of our hero and his new nemesis into one short hour. In Palm City, Vince Faraday is one of the last few good cops. A new mega-corporation and its head honcho want to privatize the police force and allow them to run their evil empire without any headaches. Vince isn't all for this and finds himself framed for murder in the guise of the evil criminal master-mind Chess.
Vince fakes his own death and meets up with a group of circus performers, the head of which has this super special cape made of spider silk that has all kinds of interesting, bend the laws of physics properties. Vince also learns the art of illusion to help with his crime fighting. His goal is to restore his name and bring down the evil corporation so he can be reunited with his wife and son. It's from reading a comic book with his son that he determines his alter ego as the Cape.
He's joined in the fight by a blogger named Orson, who is played by Firefly alum Summer Glau.
In the first two episodes, Vince takes on a couple of super villains who have been brought in by Chess. One is a guy who likes to throw knives and is targeting the head of prisons who is the only person in the city's government who opposes the privatizing of the police force--at least for his prisons.
On the surface, there's a lot that should work. The series wants to feel like a comic book and there are times when it captures that feel. And just like a comic book, there are plot holes big enough to drive a bulldozer through.
For example, the biggest is Vince's motivation. His goal is to keep his family safe and to win back his good name by bringing down Chess and his evil corporation. Nice motivation, but you have to wonder about how he's going about it. He chooses to keep a secret that he's still alive from his family (though he does go to his son as the Cape and say his dad will be back), which can only lead to complications down the road (assuming this show lasts that long). I'd certainly love to see the reaction of his wife (who has to get a job and struggles with the infamy associated with her last name) when and if Vince reveals, "Oh, by the way, I'm still alive."
Also, it seems fairly obvious that Chess and company know that their new foe is a product of the circus. But yet they bumble about going in and taking them out or sending in their private police force to arrest those involved. At one point, they capture Vince's mentor and the head of the circus, but leave behind everyone else. I'm guessing this is so Vince can know who took his mentor and then go rescue him. Because I can see no other good reason not to take them all and leave Vince to try and figure things out or alone without his support team.
Then there's the whole storyline of Orson, a blogger with a mission. What that mission is and what her motivation is is not entirely clear. Hopefully future episodes will delve into this (assuming that I stick with it, of course).
In fact, outside of Vince, there's a lot of pieces left on the table. There's a lot that's left under developed when it comes to the character side of things. I know comic books characters aren't always the deepest characters out there, but surely having them be more than walking cliches and plot pieces would be a good idea.
Also, I'm not sure if there's a long-term run for this show. How long can Vince continue to hang out in the underground and not have his efforts to noticed. I've heard comparisons to Batman, but they're really superficial. In the Nolan movies, Batman becomes a symbol that the city needs, motivated out of one guys need to atone for his past and his fears. There's no marked end point for Batman since he's so tortured he can never let go of the guilt and stop fighting the bad guys. (Again, this is my take on the Nolan films). With Vince, there is a defined end point--stopping Chess and regaining his life. It could be this is a one-season type of show where we'll have the end point of Vince clearing his name and getting his family back. But as I watched, I kept thinking of how and what will be done once we get past that. Could we see storylines where villains begin showing up to take on Vince and his responsibility in that? (Similar to the question of would the Joker show up in Gotham if there were no Batman we saw in "Dark Knight" or the question addressed in some episodes of "Lois and Clark.")
As I said, the show has some interesting elements too it. But as I look at it, I believe I'm thinking too hard and wondering too much about the show. It may be just a mindless show that is meant to be enjoyed at face value.
Unfortunately, the pieces don't quite all add up. I'll still give it an episode or two to see where things go (and to watch Summer Glau). But for now, I'm not hooked.Labels: the cape, tv shows
posted by Michael Hickerson at 1/11/2011 12:18:00 PM |
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